Winter NAMM Report: 27 Picks to Power Your Studio
My Winter NAMM started early this year.After a six-hour flight from JFK to NYC, I was more in the mode to make it to my Anaheim hotel, take a hot shower, and pass out before the next day’s convention center fray. But I couldn’t help talking to my friendly cabdriver, whose African accent intrigued me – he was from a small nation in the Horn I knew nothing about: Eritrea.No sooner had I asked him what Eritrean music was like, then he replied solemnly, “I have,” and pushed a CD into the player of his Prius. What I heard was an entirely new flavor for my ears – jubilant but hypnotic, intensely rhythmic yet slower-paced, enraptured and relaxed. I highly recommend seeking some out.The lesson of the moment wasn’t lost on me: there’s so much magic in recorded music. These tracks were captured on the other side of the world, then delivered directly into my consciousness, expanding my sensory palate and therefore my mind.For the next two days, I was face-to-face with the people whose creations make such moments possible. The instruments, microphones, preamps, compressors, plugins and DAWs that are dedicated to enabling such discoveries were close at hand. We were all there to do business, yes, but it’s a trade show that propelled by a uniquely powerful force.As usual, there was far too much great gear and software to track it all down – innovation and ambition is everywhere. Following, find our picks for the most noteworthy new items, sites, and scenes of Winter NAMM 2015.
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Here’s a signal source for you: the new Teenage Engineering Pocket Operator. It’s designed on a single circuit board, with all vital components under the LCD display. 3 versions (rhythm, sub, factory melody synth) for $59. (All photos: David Weiss, unless otherwise noted)[/caption]

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The HG-2 Stereo Mix Buss Enhancer (bottom unit) from Black Box Analog Design. This substantial unit uses Cinemag input transformers to feed two paths: The main signal path travels through a 6U8A Pentode tube stage that then drives into the Triode stage that follows, resulting in everything from subtle harmonics to full on saturation. For $2780, this is a serious investment in your stereo buss.[/caption]

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At Dangerous Music, the Convert-2 ($2499) and Convert-8 ($3499) were previewing. Available in Q2, these 1RU units bring Dangerous’ well-known super-transparent conversion into their own box. As usual for Dangerous, there are many unique ergonomic features.[/caption] [caption id="attachment_55870" align="aligncenter" width="520" class="fbx-instance"]
The Avid booth was a hotspot, with celeb sightings, plus the debut of Pro Tools 12 and Pro Tools First.[/caption]


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Two awesome sets of Augspurgers®, the new Duo 8 Mini-Main system(wood finish on right) and Duo 12.3 DSP (silver finish) made their presence known on the floor…[/caption]

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…and mixer Josh Connolly, of Las Vegas’ Audio Mix House, approved of what he heard.[/caption]

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The Sontronics Mercury, a multi-pattern tube mic with a dedicated power supply, made its debut. Expect an MSRP of $2,000 with Q2 availability.[/caption]

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The intriguing K-Mix from Keith McMillen Instruments was on hand. A next-gen audio interface and programmable mixer for live and in the studio, it will list for $499 and be available in April.[/caption]

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SSL’s new VHD mic pre for the 500 series is extremely versatile — superclean or driving to crispy distortion.[/caption]

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An upstart interface! Tracktion will unveil it’s first piece of hardware this year, the heavy duty Copper Reference. Providing 139 dB of dynamic range, it will be “really expensive.”[/caption]

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And ANOTHER upstart! The RADAR studio from iZ Technology runs Pro Tools natively, within a totally integrated “audio appliance.” Highly configurable I/O and extremely fast workflow made this one of the most talked-about audio innovations on the floor.[/caption]

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Moog check! This monster module was a beaut.[/caption]

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Only at NAMM — punkers rockin’ selfies.[/caption]

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The PMC twotwo sub2 was an impressive sight in person — it’s slim-line cabinet dimensions make for easy placement.[/caption]

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Sonnox’ resident genius Rod Densham was present, demonstrating the new LIVE bundle: 6 Sonnox plugins for the Avid VENUE and S3L consoles.[/caption]

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Historical lore ensued at the Universal Audio booth, where you could grasp the same classic console that tracked “Pet Sounds!” Meanwhile, the just-announced Apollo Expanded Software was a center of attention throughout the show. (photo credit: Amanda Whiting)[/caption]

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Focusrite unveiled their Clarett line of Thunderbolt interfaces. Under 1 ms of latency, with preamps that model Focusrite’s beloved ISA design.[/caption] [caption id="attachment_55883" align="aligncenter" width="520" class="fbx-instance"]
Meanwhile, Novation launched the Launchpad Pro. It has many more controls on the surface, and a dynamite light show that also makes it more intuitive for use in Live.[/caption]


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Dave Smith synths — they’re just cool.[/caption]

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Auralex’s new ISO-Tone gives the DJ some! It’s specifically designed to take down the vibrations and acoustic feedback that comes with desktops and DJ cases.[/caption] [caption id="attachment_55895" align="aligncenter" width="390" class="fbx-instance"]
That DEEtroit sound! The Model 2S stereo microphone from Mesanovic Microphones…[/caption]


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…with the proud inventor, Deni Mesanovic.[/caption]

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Super mixer Jack Joseph Puig held court at the Waves booth.[/caption]

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The Variax Standard guitar debuted from Line 6. Designed to be more affordable than previous Variax’s, this is a versatile studio tool you can grab for just $799.[/caption] [caption id="attachment_55913" align="aligncenter" width="360" class="fbx-instance"]
Soundcraft’s Signature Series of analog mixing consoles brought the company back into the studio, affordably. This Signature 12 has Soundcraft’s Ghost mic pre’s, and Sapphyre Assymetric EQ.[/caption]


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Mic icon David Bock and his eye-popping 407, ideal for male or female lead vox with its custom-built k47 type capsule.[/caption]

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The REAL moneymaker at NAMM?[/caption]

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Just follow the lines to the food trucks.[/caption]

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Sennheiser rolled out it’s EW D1 wireless. Extreme ease of use, and 2.4 GHz digital transmission with license-free operation.[/caption]

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We hearted playing with Rev from Output, a terrific sound design and electronic music tool that goes deep into reversed sounds.[/caption]

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A bundle of analog awesomeness from Overstayer Recording Equipmentovertook the M1 Distribution booth.[/caption]

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Cakewalk made noise of it’s own with the new membership program for SONAR.[/caption]

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The Audio-Technica ATH-M70 is their new flagship closed back headphone — definitely worth a listen at $299.[/caption]

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Bitwig Studio 1.2 arrived — you’ll love what it does with track folders.[/caption]

Augspurger® Monitors Debuts Duo 8 “Mini-Main” System
The sound of Augspurger® is still massive – but the famed speakers are getting more and more manageable for compact spaces.
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The Duo 8, shown here atop the optional S12 sub, is set to debut at NAMM.[/caption]
At NAMM, Augspurger® Monitors, of Pembroke, MA will announce the launch of their new Duo 8 System, which they are referring to as the first true “Mini-Main” in the Augspurger® line. It features the footprint of a midfield — so the free standing, fully active system can allow a much wider range of control rooms to be an Augspurger® environment.According to the company, there is no tradeoff in sonic performance, precision or power in the smaller format speakers as compared to the larger Augspurgers®. It’s dimensions are just 16-inches wide by 17-inches deep, at a starting price of $15,000/pair.This debut follows the introduction of the Augspurger® 12.3 DSP in July, 2014.The first Augspurger® Duo 8 system, including S12 subs, will be on display at the Pro Audio Distribution booth # 6411 at the NAMM show, Jan 22 through 25 in Anaheim.Here are more details, as provided by Augspurger®:Augspurger® Duo 8 System:The Duo 8 is a small-format main studio monitor built around Augspurger’s® newly-deigned smaller maple horn with it’s pure beryllium diaphragm, along with dual ferrite magneted eight-inch low/mid drivers. The horn offers extremely efficient response and smoothness for accurate, natural and pleasing high frequency without the limits associated with dome or ribbon tweeters.The Duo 8 system is powered by Augspurger® DSP-3/2000 three-way DSP-controlled D-Class power amps with a total of 2000 watts and supplies power for the optional
Augspurger® S12 single 12” subwoofer. The system can be purchased with or without subs depending on room size and SPL desired. Amplifiers are rear-mounted in to the main cabinets and include software to allow the user or qualified tuning specialist to adjust EQ, phase and crossover to the room and engineer’s preference. The amps have extremely fast transient response, low distortion and extreme detail. With the factory tuning the speaker will perform to mastering-level accuracy, while delivering the high SPL output suited for today’s production requirements; characteristics heretofore afforded by the larger Duo 12 or Duo 15 systems.Duo 8 boasts flat response from 30hz to 20Khz without the sub, and extends down to 20hz when coupled with either S12, S212, S18 or S218 subwoofers.The system is capable of 118db SPL.The Duo 8 system pictured is shown with optional Vintage Flametop maple baffle; standard finishes are Matte Black or Matte Silver.In short, Augspurger’s® Duo 8 system is a Mini-Main that packs big speaker power, precision and performance into a smaller package for midfield or main-monitor applications. Pricing starts at $15,000 per pair.Dimensions are 26”H x 16” W x 17” Deep.Augspurger® will be at NAMM Booth 6411 in Hall A, for more information or to
schedule a demo contact Drew Townson. Drew@augspurger.com
Augspurger® Solo 15

Come see (and HEAR) us at NAMM ‘15! Jan 22-25, Anaheim, CA
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Come see (and HEAR) us at NAMM ‘15! Jan 22-25, Anaheim, CA[/caption]
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Studio Strategy: The Augspurger® Upgrade in Quad Studios’ Q2
Evolution is supposed to happen gradually – biologically speaking, a few thousand years is a nice brisk pace for major changes to unfold.Some elite New York City facilities are operating on a different timeline. This past February SonicScoop reported on the freshly renovated Studio Q1 at Quad Studios, where expanded space and massive new monitoring raised the game in their flagship room.As soon as the dust settled on that project, this midtown citizen – operating in the highly competitive address of 723 7th Avenue where multiple other commercial studios reside – was at it again.Next up in the queue was Studio Q2, which was about to get a renovation and unique amplification infusion of its own. As it turned out, Q2 became the very first installation site for the Augspurger® Duo 12.3 DSP, which puts Augspurger’s® famously powerful output into a more compact footprint.In this first article in the SonicScoop “Studio Strategy” series, where we look at the business decisions behind facility moves, Quadpartner Ricky Hosn explains the thought process behind the latest upgrades. Dave Malekpour, President of Professional Audio Designwhich integrated the Augspurger® system, also joined the conversation.
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The sweet spot in Quad’s Studio Q2 may sound massive, but the Augspurger® system is a compact new design.[/caption]
Ricky, Q2 has seen several evolutions. What necessitated the latest changes to that room?We like to keep the studio looking fresh. There are a lot of rooms in the city still rocking the ’80s look and that works fine for some people. We like to take a different approach as we think aesthetics is a huge factor in a person’s creativity.We are constantly updating the look of the studio and the performance of the rooms. Last year we did some major renovations to studio Q1 with John Storyk (of Walters-Storyk Design Group) and Dave Malekpour. Storyk came in and freshened up Q1, which was originally designed by the late Larry Swist. We then called on Dave Malekpour to upgrade our Augspurger® system to give the room a sonic boost.With the success that these renovations, it was only a matter of time before we started working on Studio Q2. We began work on Q2 this summer, this time using Quad’s design team to do the renovation. We then worked with PAD on designing a brand new Augspurger® system that is suited for a medium-sized room.You had several monitor systems to choose from. What made you go with the Augspurger® Duo 12.3 DSP?The driving factor behind the Augspurger® decision was the success of the system in Q1. We started discussing a more compact size Augspurger® system for Q2 with Malekpour almost right after we installed the system in Q1. Earlier this year the concept started becoming a reality.Considering Quad’s history in the rap scene, installing an Augspurger® system in Q2 was a no-brainer – the only reason this was not done before was the size of the Augspurger® system. The Duo 12.3 DSP was a perfect fit for our medium-size room.How would you describe the sonic impact of the new system? What is it best suited for?This system is loud! Our clients want to hear their music loud and clear. Not a lot of speakers out there will give you the fidelity an Augspurger® can produce at high volume. With two 18″ subs, this system will rattle your brains.A lot of music producers want to work in an environment where their music is heard as it would be in a club or live venue. These Augspurgers® will do that while maintaining the clarity needed to produce in a controlled studio environment.The majority of our work is pop/dance and rap music. The Augspurger® system does a great job for these genres. In fact, during the testing and tuning phase we go through all sorts of music, and I must say there wasn’t anything that I heard that didn’t sound amazing.
Dave, what made the Augspurger® DUO 12.3 DSP system the right match for Q2?We developed the Duo 12.3 DSP system to address a growing sector of the studio market where users want to have the full range and power of an active Augspurger® system, but in a smaller footprint.The system we built for Q2 is a 3-way full range system featuring proprietary Augspurger® high output reference drivers including two GA12X-8 12” drivers for midrange, the Augspurger® GA4K-BER compression driver with 4” 99.8% pure beryllium diaphragm for high frequency, and the GA18X4 18” LF driver. It’s all powered by Augspurger® DSP-3/2500 3-way DSP controlled amps with 2500W/channel (LF 1000w, MF 1000w & HF 500w). These amplifiers offer extremely low distortion from 1w to 96% of power.Quad’s Q2 system is based on the successful Duo 15.3 DSP system employed in Q1. Quad wanted to unify the two control rooms so their clients could more easily work in one or the other and get the same sound quality, tuning, and output to match clients’ requirements.With the Duo 12.3, Q2 now offers a very similar sonic performance with just a bit less SPL. One feature of these systems is high output with accurate low-end performance down to 20hz. Clients using Quad are often looking to hear that full range when tracking of mixing. This allows you to hear how low frequency will be balanced in a way you can’t achieve with a nearfield speaker. Clients wanted to get that same ability in Q2 and now they’re able to book the room to the same clients who were happy in Q1 without them feeling they took a step down. The room is intimate, powerful and most importantly accurate.Another key feature of the system is its compact footprint and ability to be installed freestanding. The amplifiers are rear-mounted, also minimizing needs for additional racks, ventilation or wiring. Amps are elegantly mounted on a custom designed Sound Anchor stand designed to mount both the Duo 12 cabinets and Sub 18’s directly below. This allowed us to fit a main monitor system in a room which previously could only house a midfield.Was there anything further customized about the system that PAD installed in Q2?Though we offer a variety of paint choices, and finishing options, Quad choose our standard Matte Black finish with Black Metallic Speaker Clamps which is a classic look, matching the Q1 finish.As Quad was also the beta-test environment we did end up trying two different sets of drivers to find which worked best to get the same sound as we have in the 215’s in Q1. The final selection has become our standard driver for this system as they are made of extremely light material with advanced voice coil technology, offering ultra-fast response and high excursion.
Dave, how would you characterize the sonic results that were achieved in Q2 with the system?I will admit that I am highly biased on this, but this system’s performance, accuracy and excitement exceeded all of our expectations.The Duo 12 is an amazingly balanced speaker with crystal clear response from the deepest lows to vocals, to the extreme highs. Partly because of its speed, imaging from the Augspurger® horn is stunning, with the ability to hear detail and find subtleties in mix placements not heard on many other systems.